Thursday, October 28, 2010
Monday, October 11, 2010
Windjammer Memories
This is from the days that me and my brother Donald constructed waterfalls: I started this job and Donald spent five years helping this man create the sculpture you see on site. pay atention to the entrance area and the pool areas. We are waiting for more fantisies to create.
Windjammer Barefoot Cruises - Captain Burke's Miami Beach Castle
The castle had been featured on the Travel Channel in Grand Castles of America. It was burnt down on July 17, 2009.
My Facebook site has the you tube link
Wednesday, October 6, 2010
Tuesday, October 5, 2010
The Apostles @ 2nd Friday Bakehouse Art Complex
%5B1%5DA0008.jpg)
Straght from Farside Art Gallery to Studio #65 at The Bakehouse Art Complex. The fourth Apostle rejoin them.
Saturday, September 25, 2010
Tuesday, August 17, 2010
My backs against the wall!!!
September has so much potential and it can't seem to come fast enough.I just pray for a little wiggle room so I can hold out. I will survive!!!!!
Monday, June 28, 2010
Out of frustration comes inspiration
Life has its test ,its challenges. Its not what you do when you are on a roll but what you do when the wheels fall off. We will be Showing a mini fountain at Second Friday @ The Bakehouse in July along with Mother Earth's Chair
Waterfalls can be a problem sometimes.....
We failed to match the picture from the RICCOROCK web Site.I was asked to copy the Younique 4' model but without the top portion. You see there are times you just dont argue with the customer . END OF STORY END OF JOB.Take the lose and move one.
Friday, May 28, 2010
The Village By the Bay
My design "The Village By The Bay" placed second to that of Nora Cervino for the Coral Reef Park concession stand Commission as part of the Village of Pallmetto Bays Art in Public Places Program . Congratulations to Ms.Cervino.
Sunday, April 25, 2010
Purvis Young-- THE TRUTH ABOUT BLACK ARTIST
“It was mostly white people interested,” he said in the mid-1990s, recalling the days after he was discovered. “Some people would say stuff, say I looked like Gauguin, all different artists they say I looked like. A lot of black people seen them, but they didn’t say much to me about it. Some of them said I was mad, some cursed me out, some liked it, some of them admired me, some didn’t. A friend of mine — he’s passed away now — say to me: ‘I look at your paintings but I don’t see nothing. But every time I turn around you’re in the newspaper.’ ”NY TIMES
When we look back on black visual art and artist we must wonder why is the support for these artist only comes from the 'white patrons is it content , is it that African Americans just don't care for Art as it is portrayed in the 21st century.Is it that the Afro American Professional just not savvy enough to play a role in discovering and supporting visual artist or is it not a role we want to participate in. We are forced to confront this issue every time a artist of color is gobbled up and sucked of his or her creative juices and left indigent on there death bed. The cry comes from the rafters complaining about the way white entrepreneurs have taken advantage of that poor giving soul. The reality is that without those buzzards giving support over the years ;that individual would have not have been able to produce the quantity and quality of work that Purvis Young created over those 41 years.
In Short if Afro-Americans don't support Afro-American Artist don't complain when they are not seen in major galleries or featured in art news articles or are destitute and poor on there death bed.
When we look back on black visual art and artist we must wonder why is the support for these artist only comes from the 'white patrons is it content , is it that African Americans just don't care for Art as it is portrayed in the 21st century.Is it that the Afro American Professional just not savvy enough to play a role in discovering and supporting visual artist or is it not a role we want to participate in. We are forced to confront this issue every time a artist of color is gobbled up and sucked of his or her creative juices and left indigent on there death bed. The cry comes from the rafters complaining about the way white entrepreneurs have taken advantage of that poor giving soul. The reality is that without those buzzards giving support over the years ;that individual would have not have been able to produce the quantity and quality of work that Purvis Young created over those 41 years.
In Short if Afro-Americans don't support Afro-American Artist don't complain when they are not seen in major galleries or featured in art news articles or are destitute and poor on there death bed.
Thursday, April 22, 2010
Purvis Young Dies at 67 on April 20, 2010
Street artist Purvis Young's career trajectory saw him rise from obscurity to international fame, then back to obscurity upon his death Tuesday at age 67.
While Young may have died a pauper at Miami's Jackson Memorial Hospital, the vast number of his works are sure to increase in value, art experts said.
"There's no doubt that a Purvis Young painting today is certainly going to be worth more in value tomorrow," said Manhattan gallery owner Skot Foreman, who had known Young for 20 years and exhibited his work. "Some prices could double, some prices could triple."
Young's rare, original works could fetch up to hundreds of thousands of dollars, Foreman said.
After suffering a number of ailments in recent years, Young died of cardiac arrest about 5 a.m. Tuesday. "It is a sad day," Foreman said.
Young was born and raised in Miami's Overtown section and began painting after serving a three-year prison sentence for burglary. While still in his early 20s, the untrained artist created bright paintings on wood and metal, which he would nail to buildings in his neighborhood.
"I saw the pieces that he had around the community," said Derek Davis, who later became curator of the Old Dillard Museum in Fort Lauderdale. "You would see Purvis going around painting on anything from bus benches to pieces of driftwood."
Now, Young's paintings grace museums across the globe, including New York, New Orleans and Washington, D.C.
But the scars of hard times never left Young. "He was always a very eccentric type of person," Davis said. "He was very much a recluse."
Working from an Overtown studio, Young produced multimedia creations of vibrant color in a style resembling fingerpainting. His themes: urban landscapes, wild horses, angels.
"Purvis Young was a school of one. Scholars have coined the term Urban Expressionist or Social Expressionist, and they were thinking of him," Foreman said.
"Purvis is the urban storyteller," said Suzanne Khalil, curator of EXOR Galleries in Boca Raton, which last year hosted an exhibit of his most artistic period, from the 1980s and '90s. "There is something very raw about the way he works."
Young was an activist in his art.
"Purvis was very passionate about social issues and racial issues," Foreman said. "He was very outspoken in his view on politics and bureaucracy."
Young's art was meant to inspire as well as tell a tale.
"There was always some message in his work," Davis said. "He started developing these elongated heads. That tells the viewer that he felt that men had some possibilities in them, mental possibilities that they were not using."
In 2008, Young told the Broward New Times he painted angels to help mankind. "I'm trying to sweeten the world up," he said. "Spray it with honey."
Young's work often could be found at the Grace Café and Galleries in Dania Beach, where they sold for hundreds of dollars.
In recent years, Young was left penniless because of litigation and a falling out with a manager, Foreman said. "Apparently there is no money," he said. "Myself and a few other people are going to have to put money into his burial, unfortunately."
Young's health suffered along with his fortunes. He had diabetes and its complications, as well as complications from a 2007 kidney transplant. He was plagued by infections and a wounded foot. He lost weight and had to give up riding his beloved bicycle. About five months ago he became wheelchair-bound, said Foreman, who visited Young earlier this year.
For the past few months Young lived in a Miami nursing home, requiring constant supervision. His spirits flagged. "When a man loses his dignity, he loses the will to fight," Foreman said. "I think he was ready to move on to the next plane."
A funeral is tentatively planned for Saturday in Overtown.
Robert Nolin can be reached at rnolin@sunsentinel.com or 954-356-4525.
Copyright © 2010, South Florida Sun-Sentinel
While Young may have died a pauper at Miami's Jackson Memorial Hospital, the vast number of his works are sure to increase in value, art experts said.
"There's no doubt that a Purvis Young painting today is certainly going to be worth more in value tomorrow," said Manhattan gallery owner Skot Foreman, who had known Young for 20 years and exhibited his work. "Some prices could double, some prices could triple."
Young's rare, original works could fetch up to hundreds of thousands of dollars, Foreman said.
After suffering a number of ailments in recent years, Young died of cardiac arrest about 5 a.m. Tuesday. "It is a sad day," Foreman said.
Young was born and raised in Miami's Overtown section and began painting after serving a three-year prison sentence for burglary. While still in his early 20s, the untrained artist created bright paintings on wood and metal, which he would nail to buildings in his neighborhood.
"I saw the pieces that he had around the community," said Derek Davis, who later became curator of the Old Dillard Museum in Fort Lauderdale. "You would see Purvis going around painting on anything from bus benches to pieces of driftwood."
Now, Young's paintings grace museums across the globe, including New York, New Orleans and Washington, D.C.
But the scars of hard times never left Young. "He was always a very eccentric type of person," Davis said. "He was very much a recluse."
Working from an Overtown studio, Young produced multimedia creations of vibrant color in a style resembling fingerpainting. His themes: urban landscapes, wild horses, angels.
"Purvis Young was a school of one. Scholars have coined the term Urban Expressionist or Social Expressionist, and they were thinking of him," Foreman said.
"Purvis is the urban storyteller," said Suzanne Khalil, curator of EXOR Galleries in Boca Raton, which last year hosted an exhibit of his most artistic period, from the 1980s and '90s. "There is something very raw about the way he works."
Young was an activist in his art.
"Purvis was very passionate about social issues and racial issues," Foreman said. "He was very outspoken in his view on politics and bureaucracy."
Young's art was meant to inspire as well as tell a tale.
"There was always some message in his work," Davis said. "He started developing these elongated heads. That tells the viewer that he felt that men had some possibilities in them, mental possibilities that they were not using."
In 2008, Young told the Broward New Times he painted angels to help mankind. "I'm trying to sweeten the world up," he said. "Spray it with honey."
Young's work often could be found at the Grace Café and Galleries in Dania Beach, where they sold for hundreds of dollars.
In recent years, Young was left penniless because of litigation and a falling out with a manager, Foreman said. "Apparently there is no money," he said. "Myself and a few other people are going to have to put money into his burial, unfortunately."
Young's health suffered along with his fortunes. He had diabetes and its complications, as well as complications from a 2007 kidney transplant. He was plagued by infections and a wounded foot. He lost weight and had to give up riding his beloved bicycle. About five months ago he became wheelchair-bound, said Foreman, who visited Young earlier this year.
For the past few months Young lived in a Miami nursing home, requiring constant supervision. His spirits flagged. "When a man loses his dignity, he loses the will to fight," Foreman said. "I think he was ready to move on to the next plane."
A funeral is tentatively planned for Saturday in Overtown.
Robert Nolin can be reached at rnolin@sunsentinel.com or 954-356-4525.
Copyright © 2010, South Florida Sun-Sentinel
Sunday, April 11, 2010
Purvis Young
When I returned to Miami and applied to attend the masters program at the U.of Miami
I recalled Interviewing with one of the professors;in the interview I made mention of my attempt to pursue primitivism in my work and was told to reference the works of Mr. Purvis Young, little did that person know that I was very familiar with his work and knew him personally. Fast Forward to 2010 Oscar Thomas #10 concerning the removal of Purvis Young's Works from that Show . We African American Artist regret the removal of his Work and hope that it contributes to his well being as we all are and were proud to be in the presence of his greatness.To those who venture in to the diamond mind in search of the hope diamond , those industrial gems that you overlook account for the richness that is humankind art.take your prize and do with it what you may , but protect that gem ,We industrial gems will carry on our simple calling. God Bless Purvis Young!
Friday, March 26, 2010
Oscar Thomas 10
The landmark 10th Annual Oscar Thomas Memorial People’s Art Exhibition seeks new works by Florida African World visual artists, and original works by the late Oscar Thomas from private collections for display at Amadlozi Gallery, African Heritage Cultural Arts Center, 2166 NW Dr. Martin Luther King Jr. Boulevard in Liberty City, from April 3 through May 21, 2010. All works to be submitted must be registered no later than Saturday, March 27, and delivered to the Gallery for jurying by Wednesday, March 31.
Wednesday, March 24, 2010
Saturday, January 16, 2010
A Retrospective of works from 2005-2010
GOD BLESS HAITI
GOD BLESS HAITI
GOD BLESS HAITI
GOD BLESS HAITI
Monday, January 11, 2010
Sunday, January 3, 2010
Celebrating Musicians
My cousin Hank Hankerson stopped by the studio On New Years Eve to introduce us to his new bride Lisa and to select some pieces of art for their home. In particular "Hank" was looking for something with a musical theme. well my best work
referring to musicians is in my Digital files ,so I have selected 23 files for him to select from. These Images can be out put several ways 1. limited edition prints on art paper 2. wallpaper mural adhered directly to the wall or an apropriate substrate , 3. on billboard banner or canvas,4.for larger scale it can be output using 3/8" tiles on a hard sub strait.
Subscribe to:
Posts (Atom)